Everybody Else Is Doing It, So Why Can't We?

Their first full-length shows a band fully formed, with faint debts to the Sundays and the Smiths, but turning out more-than-tuneful pop behind the gorgeous lilt of Dolores O'Riordan. "Dreams" and "Linger" both seem to weave magic spells that remain even after the tracks pass, and there is a glorious freshness to the performances that's impossible to resist. It remains their most satisfying outing. --Chris Nickson
Customer Review: Great listen
This is the first piece I've bought by the Cranberries and I'm very satisfied with it. Shipping was ultra fast and the CD was in the original wrapper - and flawless. I was very happy with the vendor.
Customer Review: I want to make one thing perfectly clear
Despite your album title not everybody was trying to imitate 10,000 Maniacs in 1993, and so therefore the title doesn't apply to you. If you wanted to just say you were recording an album then that's fine, but don't say you are doing this because everyone else is SO THERE!!!!!! Now that my venting over the title is over now onto serious business: "Linger" is my first introduction of the Cranberries, and let's just say that it was as bad as getting a manly handshake from a woman. The melody is despicable, and the lyrics are too, and it was one of the bad memories of the first months in FL. That's where I was first introduced to this, so I feel that if everyone was rocketing to the moon in their underpants would you?

How to Create a Theme and Variations for Piano!

The melody does not (and should not) be sophisticated for theme and variations. Why? Because we want to change the melody. It's a lot easier to vary a simple theme than it is a complex one, although I'm sure it's been done successfully. Look at Pachobel's canon as an example. The theme is simple yet beautiful - exactly what we want.

We don't have to do this here. In fact, I suggest beginners only create 3 variations at the most. Look at it as an arc. You start out with something, let's say something andante or slow. Now we want to add some contrast to the whole thing so around variations 2 or 3 we speed it up a little. Eventually we close the theme and variations by returning to the original theme. Take a look at the author's lesson #54 for a good example of how to do this.

First, we need a theme! Eight bars are the perfect size to contain your theme. I work within this framework all the time and it has proven to be a workhorse when it comes to capturing musical ideas. Now, we can either begin with chords or melody. For theme and variations, I like to start with the melody (as do most composers.) This is because it's a lot easier to create variations for a simple melody than it is to create different textures for chord changes.

Once the first 8-bars is complete, we harmonize it and we have the complete theme. Now we create variation one. Most theme and variations composed by the "masters" start their initial variations with just a little change and gradually vary the theme to where it may be unrecognizable towards the end.